Explosive
Summary
If You Meet Sartana…Pray For Death (1968)
Plot: Crooked bankers plan an insurance swindle and hire a Mexican gang to steal the bank’s gold but they also pay Lasky’s gang to kill the Mexicans.
Review: A handsome stranger named Sartana (Gianni Garko) rides into a small town and finds it full of vipers. The town is corrupt and there doesn’t seem to be an honest man around. When Sartana takes a good look around, he sees a possible opportunity: He might be able to get rich if he can work around the bad guys who are trying to swindle a stash of gold dust from each other. The gold – hidden in a coffin – has several suitors hoping to claim it all. There’s the crooked fat banker, whose wife is sleeping with a hired killer named Lasky (William Berger), and there’s a cold-blooded killer (played by Klaus Kinski), and so many others, including a pretty whore, and it seems like anyone else who has become aware that there’s a fortune somewhere around town. Sartana gives himself just enough leeway to get close enough to the scum who might know where the treasure is, but he keeps himself just far enough away to get off a few shots with his four-barreled handgun.
The introduction to a five-part spaghetti western series that brought Sartana to the fold, If You Meet Sartana…Pray For Death is a pretty nifty first entry. Sartana is more or less the same guy The Man With No Name Played, but he’s a little more articulate and better dressed, and he has great luck with cards. The movie has plenty of action, but it’s light on pizzazz and the score isn’t very memorable. Directed by Gianfranco Parolini, this picture is a more than satisfactory foray into a fun genre with plenty of gems waiting to be discovered.
The 2K restoration of If You Meet Sartana…Pray For Death is nice, and the disc includes a new audio commentary, plus a video essay, as well as promotional images and more.
I Am Sartana, Your Angel of Death (1969)
Plot: Sartana is falsely accused of robbing a bank, and must find the real robbers and clear his name.
Review: A daring and bloody bank robbery goes down, and a man posing as the evidently famous gambling gunslinger Sartana (played for the second time by Gianni Garko) seems to be trying to frame Sartana for the heist. A printing press prints stacks of wanted bounty posters offering 10 grand for Sartana’s head, and bounty hunters from all over get Sartana’s scent and go after him. Sartana has his hands full dealing with scum and villainy as they close in on him, but he’s gotta be either one of the luckiest gunslingers around or fortune favors him because no one can lay a finger on him. When he finally gets close enough to find out who framed him, it turns out the culprit is someone who’s been relatively close to his proximity for some time.
The second Sartana film feels a little punchier than the first entry, but it’s pretty much on par, and they’d make a good double bill with each other. Sartana, by this point, was much more untouchable than most other spaghetti western heroes like The Man With No Name or Django, both of which had been beaten up or brutalized at various stages of their adventures. Sartana doesn’t so much as get his black cloak dirty. If you can get on board with him being a hero five steps ahead of his enemies, then you’ll be fine. Klaus Kinski, who was in the first film as a different character, appears as a dapper bounty hunter who can’t best Sartana at cards. Director Giuliano Carnimeo doesn’t really infuse the film with a ton of style, but instead grounds the film and loads it with action.
The transfer for I Am Sartana, Your Angel of Death is nice and warm in a 2K transfer, with newly translated English subtitles if you prefer it in Italian, as well as a new audio commentary by western experts C. Courtney Joyner and Henry Parke, plus new interviews, and promotional images.
Sartana’s Here … Trade Your Pistol For a Coffin (1970)
Plot:
A far more buoyant and whimsical outing for Sartana, Sartana’s Here … Trade Your Pistol For a Coffin is a borderline spoof of the genre, giving the lead character a massive head start on every situation where he plans way ahead, never misses a shot, and might as well be considered a bulletproof action hero with the way he carries himself. Hilton only played him once, but I liked his take on it, and the wacky, totally outlandish finale had me scratching my head a little in confusion, but it was still a fun spaghetti western. The score by Francesco De Masi is the best score from the first three films, and director Giuliano Carnimeo (who later did Exterminators of the Year 3000) seems to have a grand time with the material.
Arrow’s release of this title comes in a brand new 2K restoration, a new interview with Hilton, plus a bonus interviews with several other actors from the film, promotional images, and more.
Have a Good Funeral, My Friend … Sartana Will Pay (1970)
Plot:
Far more serious in mood than the previous three entries, Have a Good Funeral, My Friend … Sartana Will Pay strips Sartana of his debonair, devil-may-care qualities and turns him into a straight shooter mostly disinterested in gambling (the one gambling scene in the film has him losing on purpose), and his weaponry is different this time around. He uses his little four-barreled handgun only once and virtually as an afterthought, and Garko’s portrayal of the character seems to come from an entirely different approach, so this might as well be a different character entirely. I still enjoyed it, though, and it definitely felt like a mature step forwards for the franchise. Directed by Giuliano Carnimeo.
Arrow’s Blu-ray contains a new 2K restoration, newly translated English subtitles, a new audio commentary by C. Courtney Joyner and Henry Parke who know the genre better than anyone else, a new interview with one of the co-stars, promotional material, and more.
Light the Fuse … Sartana is Coming (1970)
Plot: